Private studio rental
180 to 420 square feet with 24 hour access, includes shared shop and kiln room privileges.
Thirty four studios, a shared kiln room, four etching presses and a gallery that is free to walk into. You will hear the compressor running while you look at the work.
Class fees are subsidized and roughly a quarter of seats each term are offered at no cost.
180 to 420 square feet with 24 hour access, includes shared shop and kiln room privileges.
Bench space and equipment access in ceramics, print or woodshop without a dedicated room.
Wheel throwing, relief printing, figure drawing or darkroom, materials and firing included.
One day intensives in raku, monotype, bookbinding and letterpress, no experience needed.
Two week sessions for ages 9 to 16, sliding scale down to free, materials provided.
Bisque and glaze firings to cone 6 and cone 10 for outside potters, priced by shelf space.
Eleven artists signed a lease on a vacant mill floor in 2008 because studio rents downtown had doubled in three years. The Collective is a nonprofit governed by its members, and studio rents are set to cover the building and subsidize the class program, not to hit a market rate. Two thirds of members have been here more than five years.
“I have had a studio here nine years. It is the only reason I still make work in this state, because nowhere else did the numbers add up.”
Nadia S., Studio member, painter
“Took the wheel throwing class at fifty two having never touched clay. The instructor was patient and the kiln room is better equipped than the college I went to.”
Peter H., Ceramics student
“My son did two summers of the youth studio on scholarship. He is applying to art school now because of it.”
Lucia M., Parent, Pawtucket
Fill out the studio interest form and include images of recent work and the medium you work in. The list currently runs about eleven months for the smaller rooms and longer for the large north light spaces. Members vote on new tenants when a room opens, weighted toward artists who would use the shared shops.
No. Every eight week evening class and weekend workshop is written for people starting from zero, and instructors are told to assume nothing. If you have experience and want to push further, ask about the intermediate sections that run in the winter and spring terms.
Yes. Drop off bisque or glaze work at the office during gallery hours and we fire to cone 6 and cone 10 on a weekly schedule. Pricing is by shelf space, starting at 22 dollars, and turnaround is typically eight to ten days. Work must be bone dry and free of anything that will run onto a shelf.
The gallery is free and open Wednesday through Sunday afternoons with no ticket. The building has a ramped entrance at the Valley Street loading door and an elevator to all studio floors. The ceramics and print shops are on the ground floor and step free.
Gallery is open five afternoons a week and open studio nights happen the first Friday of each month. Call about class registration or the studio waiting list.