Brand film
Two to four minute anchor film, one to two shoot days, full post and grade.
Commercials, brand films and documentary work produced end to end, with our own crew, camera package and edit suites. No handoffs between three vendors and no mystery in the budget.
Every project is bid with a line item budget you can actually read.
Two to four minute anchor film, one to two shoot days, full post and grade.
A hero spot plus cutdowns for broadcast and paid social from the same shoot.
Multi day shoots, archival research, original score and festival deliverables.
Training, recruiting and executive communication, shot efficiently in a single day.
One shoot day producing eight to twelve vertical cuts for ongoing social calendars.
Edit, color, sound mix and motion graphics on footage you already have.
Ninth Street runs as a full production company rather than a broker, which means the producer who bids your job is in the room on shoot day and the editor sat through the interviews. We keep a cinema camera package, lighting and grip, and two color capable edit suites in house. That keeps budgets honest and it means a reshoot does not require re renting an entire package.
“They shot our brand film and the social cutdowns in the same two days. Our agency had quoted two separate productions.”
Bianca T., Marketing director, consumer brand
“The documentary short got into three festivals and it is still our best recruiting tool.”
Andre J., Nonprofit executive director
“First production company that gave us a budget we could understand line by line.”
Peter S., Agency producer
The honest answer depends on shoot days, crew size, location and talent. A single day corporate piece starts around $9,500 and a full brand film with two shoot days typically lands between $28,000 and $60,000. We bid every job line by line so you can see exactly which choices move the number.
Four weeks is typical for a brand film: a week of edit to first cut, two rounds of revisions, then color, sound and delivery. Documentary work runs longer because of archival and music clearance.
Yes, on most projects. Concepting and scripting are part of preproduction and are included in the bid. If you have a script already, we will produce it, and we will tell you honestly where it will not survive contact with a shoot day.
You own the final deliverables and the licensed usage outright. Raw footage can be delivered on a drive for an archival fee, and we keep a backup of every project for three years at no charge.
Send what you want to make, roughly when and a budget range. We will come back with a treatment direction and a line item bid.